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Inside Miu Miu's Tuscan workshop where a signature handbag technique takes shape

By Frenzee Editorial · Nov 9

Rewritten from reporting by Elle. Read the original at https://www.elle.com/fashion/accessories/a74378662/miu-miu-matelasse-handbags-20th-anniversary (opens in a new tab). Elle first published it on 9 Nov 2026.

Two decades after its runway debut, matelassé leather remains central to the brand's identity—crafted by hand at an architecturally celebrated factory in Valvig

On March 4, 2006, Miu Miu staged its first show in Paris at the 18th-century Left Bank restaurant Lapérouse, establishing a permanent home for its runway presentations and distinguishing itself from sister brand Prada in Milan. The fall/winter collection featured paper-thin knits, ultra-mini dresses, peplum jackets, chunky platform wedges, and mismatched-lace oxfords on models with white eyelashes and poppy-red lips. Among the looks, an experimental leather-making technique made its debut: matelassé.

The quilting method, which originated in early 18th-century Marseille for bedding and upholstery, appeared in the form of the Coffer—a slouchy chocolate brown shoulder tote with a twisted handle and bold metal clasp. Only three bags in one colorway walked the runway, yet the subtle introduction became an immediate success, carried early on by Anne Hathaway, Lindsay Lohan, and Isla Fisher. For the young brand, matelassé became a defining signature.

Twenty years later, the technique has expanded into numerous colorways and styles. The Wander and Arcadie bags rank among the most prominent matelassé offerings in the brand's leather goods portfolio, including in Miu Miu's 2026 campaign featuring Gigi Hadid.

The Garden Factory

Production takes place at The Garden Factory, Miu Miu's leather goods workshop in Tuscany's Valvigna region, near where Miuccia Prada's husband Patrizio Bertelli grew up. Designed by Guido Canali in the mid-1990s and completed in 2015, the architecturally award-winning headquarters embodies the Prada Group's minimalist aesthetic. The building's nickname reflects its one-to-one ratio of structure to greenery, balancing cool steel with native vines and extensive glass windows.

Inside, 66,000 leather goods and 77,000 pairs of shoes from past collections fill row upon row of cabinets organized by product category rather than season, with matelassé holding its own section as both archive and inspiration source.

The tactile appeal of Miu Miu's matelassé has gained renewed relevance as luxury brands emphasize hyper-visual craftsmanship for digital audiences. The effect—described as somewhere between plissé and origami—results from layering elastic Lycra with thin padding and nappa lambskin from the brand's French tannery. Strategic stitching creates patterns; removing the Lycra allows the leather and padding to fold into themselves, preserving the stitched valleys. Smaller items like card holders prove most difficult to craft. No 3-D modeling is used—every piece is hand-assembled and manually inspected.

Prada Group operates its own leather goods academy, where craftspeople train for six months in luxury practices and standards. Mastery of complete bag construction requires five to ten additional years. At The Garden Factory, teams of two—mostly women in white lab coats bearing the Prada Group logo—work beneath 45-degree angled ceilings that admit light without excess heat, with garden views available throughout.